When looking at your subject, decide what it is about that object that makes it interesting. Curved, organic shapes suggest relaxation and lazy motion. Irregular shapes such as rectangles, skewed triangles, parallelograms and ovals can give a photograph the illusion of motion or simply make it seem more dynamic. Regular shapes such as circles, squares and triangles with even sides convey a sense of order and stability. Like line, different types of shapes convey different messages. They suggest size and weight, and the way they interact with the negative space and the other objects in the image tells the viewer something about the object's proportion, how it compares to other objects and how important or dominant it is. In general, shapes convey a lot of information to the viewer. This type of shape might be found in an archway or in the heart shape made when two birds face one another. But you should also take time to look for negative shapes, or shapes that are made by the objects around them but have no tangible form of their own. Positive shapes are found in visible objects. If you're just starting to consciously tinker with shape in your photography, you've probably been focusing primarily on positive shape. As you might have guessed, geometric shapes are found more often in the man-made world than in nature-they include things like buildings, roads and bridges. Geometric shapes, on the other hand, are straight and symmetrical. They include curves, such as those you might see in the petal of a flower, and irregular shapes such as those you might see on a rock face. Organic shapes occur frequently in nature (hence the name).
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Understanding the different types of shape and how to use them in your work is one way you can dramatically improve the quality of your photographs. Like the other classic design elements, skillful use of shape can give your photograph meaning and interest. The trick is in learning to find objects with appealing shapes and to capture them in an equally appealing way. A three-dimensional object can also have a strong shape. Shape is not just limited to silhouettes, of course. Silhouettes are appealing because the details of an object are hidden, leaving the viewer to speculate about what the object might really look like.
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No three dimensional information has been captured in the silhouetted image, so the viewer is free to focus on shape alone. For the simplest version of this idea, look at an image where the subject has been silhouetted against a bright background such as a sunset.
(Form, shape's cousin supplies the three dimensional qualities.) It can be found in any object that has a definite outline. Shape is concerned only with the two dimensional qualities of an object.
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